Recently I watched a couple of films featuring immigrant stories of today: The Marksman (2021) and Minari (2020). One thing that struck me was how both these films continued classic Western storylines within a modern framework. These were both 4-5 stars for me, so I thought I’d jot some thoughts down.Continue reading The Marksman & Minari – Inklings of the Modern Western?
I am still reading (and enjoying) The Gate by Natsume Sōseki. I find more and more I enjoy books about historical zeitgeist, and this is exactly what The Gate embodies: Japan between the old world and the new.
I’ve also picked up Pictor’s Metamorphoses and Steppenwolf by Hermann Hesse. I was so impressed by Beneath the Wheel that it’s sent me on a mission to read the other Hesse ebooks my library has. The author’s note to Steppenwolf captivated me entirely, along with the first pages introducing a mysterious protagonist. The only reason I’m not well into it by now is because of life busyness. I hope to settle down with it for an hour or two this evening. Any other Hesse readers? I’m shocked he’s not more famous.
I watched Europa Report (2013) again with my mom, who hadn’t seen it before. I’m not sure if she enjoyed it quite as much as I did, but even on second viewing, it’s still one of my favorites! Told in “found footage” (webcams, vlogs), it reaches a level of plausibility that few sci-fi films can. Most of all, I love the subtle characterizations, social commentary, and gutsy female lead.
I recently reviewed two martial arts films on my other blog: The Swordsman and Shaolin. Both were excellent stories with sumptuous costumes, music, and cinematography. There is something so timeless about the “Robin Hood” story arc, central to The Swordsman and significant in Shaolin, along with the themes of family, love, and betrayal. It really shows you don’t need to reinvent the wheel when you write a good story—you just need to put your own take on it.
And speaking of storytelling… Yesterday I watched Snowpiercer (2013) with my siblings. I enjoyed the trailer and the concept of the story: humanity’s last survivors segregated on a high-speed train during an ice age. I didn’t like the film itself… for me, there was too much unnecessary gore, socialist undertones, and unlikely scenarios, and the story was mostly told through expository dialogue. Your mileage may vary (no pun intended); my brother really liked it. I will say, it was a lot like the novel Blindness except significantly better!
I’ve been really getting into the band Deep Sea Diver lately, which is actually based here in Seattle. The musicality of the frontwoman, Jessica Dobson, is incredible. The songwriting also reaches that level of depth and philosophy I especially gravitate towards. Their music won’t be everyone’s cup of tea, but if you like rock, post rock, and indie folk, it’s worth a listen.
It’s been about two months since my grandpa passed away, suddenly. The last time I saw him, we were alone in a dark hospital room and I had to trust he could hear me because he couldn’t respond. I didn’t feel like writing about it online till some of the grief had gone. Well, it still makes me cry sometimes, but the reality of his absence has really solidified now.
He left behind a lot of books, many of which I’ve kept because he had excellent taste. He was a skilled learner, maker, and artist, though never one to boast. It faded as he struggled with memory loss in his last years. But what really stands out to me now, two months later, is that Grandpa is one of the few people I know who can be said to have left a true legacy, the family and home he cultivated and the faithfulness he lived. In that sense, he still lives on here on Earth, as well as in Heaven.Comments >>
Warning: This review is honest and critical. You may wish to skip it if you are a die-hard fan!
Today I finished watching Joel Schumacher’s The Phantom of the Opera, which is currently free to watch on YouTube. Previously I saw the 25th Anniversary musical production, and (in what feels like another lifetime) I once read Gaston Leroux’s novel.
For the uninitiated—The Phantom of the Opera takes place in 19th-century Paris. A young chorus singer, Christine, begins hearing a voice, which she thinks is an angel sent by her deceased father to look after her. The voice actually belongs to Erik, a musical mastermind who lives under the opera house and subjects everyone to his will. He gives Christine singing lessons and begins inserting her as the lead in the opera productions. When he finds out she has a boyfriend (Raoul), Erik asserts himself as her “protector” and determines to get rid of the boyfriend and anyone else who stands in his way.
I must be getting old and jaded because this movie did not strike a chord with me (pardon the pun).Continue reading Thoughts on The Phantom of the Opera (2004)
Instead of writing a blurb like I usually do, this is going to be a pop quiz—can you name the film, show, or production? I’ve mentioned most of them before so it shouldn’t be too hard. 😀Comments →