Related:
From Eyre to Onegin
Lensky’s Idealism, and Why Onegin Fought a Duel
Vice, Virtue, and Heroism in Eugene Onegin (podcast)
Rejection Scene from Eugene Onegin
This week I devoted an entire podcast episode to one of my favorite novels, Eugene Onegin. Though I only mentioned it in passing, I also watched Onegin, the 1999 adaptation, after reading the book.
Liv Tyler was brilliantly cast as the bookish Tatyana; this was just before she became famous for Arwen in The Lord of the Rings. Ralph Fiennes is a good 10 years older than the title character, but he does a decent job at the Byronic Onegin. Personally, I found the script to be underwhelming and disappointing – too pedestrian (and stylistically British) to really capture the essence of Pushkin’s Russia ca. 1830. It’s too bad, given the cast.
That said, I do like the script’s translation of this scene from the book. Tatyana, having professed her love in a letter, must sit through an awkward heart-to-heart from a disinterested Onegin. While Tchaikovsky’s opera infuses this scene with soaring melodies – leading you to think Onegin likes her after all – Fiennes’s cool, polite delivery seems more realistic and makes Tatyana’s nervousness all the more real.
This is the same scene in the opera, in case you didn’t get enough (and because I love it so much). Polish baritone Mariusz Kwiecien is my favorite portrayal of Onegin:
Vice, Virtue, and Heroism in Eugene Onegin – Episode 26
For lovers of Pride and Prejudice and Jane Eyre, Eugene Onegin takes us back to Imperial Russia, where young Tatyana Larina falls for her brooding, Byronic neighbor. More than a romance, Alexander Pushkin’s epic poem is a classic of Russian literature and history, as well as a glimpse into the 19th-century dueling culture which proved to be so fatal for him.
Sources / Further Reading:
Why the Russian aristocrats spoke French – Reddit discussion with academic sources
Eugene Onegin – Translation by Henry Spalding (not my first recommendation, but it’s free)
Pushkin’s African Background – Article by the British Library
List of Alexander Pushkin’s duels – By blogger Rina Tim
Russian Ark (2002) – A creative documentary surveying 200 years of Russian culture. I was able to watch this on loan from the library, and while it’s a slow film (not gripping), the visuals are interesting.
Opening quote read by MaryAnn (LibriVox)
Six Classics That Deserve More Love – Episode 12
Looking for your next great read? This episode features six little-known classics and why I feel they should be famous.
From Eyre to Onegin
After reading Eugene Onegin, it struck me that it shares several essential similarities with a more famous romantic classic, Jane Eyre (Charlotte Brontë).
There’s the Gothic side, for example. Jane Eyre is considered to be “Gothic”, and Eugene Onegin holds elements of it as well. The letter-writing scene has a sense of gloom about it, but more eerie is the dream sequence, with its fantastical creatures and irony. And Byronic heroes? Enter Edward Rochester and Eugene Onegin. Both are former socialites, now living out empty lives in empty ancestral houses. Both despise the high society where they once distinguished themselves. Both believe they’ve seen all there is to life and human nature.
Tatyana Larin and Jane Eyre are hardly less similar. Tatyana is quiet and plain, keeping her feelings very much to herself. So does Jane. Jane expresses her feelings spontaneously, and so does Tatyana (though more elaborately). They’re both of them reclusive, but they’re not ashamed of it. And even when they are at odds with society and circumstances, they stay levelheaded and sacrifice their feelings to stay true to their principles.
Why do we still root for Edward & Jane, or Eugene & Tatyana, even when they seem like such polar opposites? I guess everyone will have a different answer to this, but mine is summed up in a word: redemption. Mr Rochester, at the weakest point of his life, repents and finds redemption (though not through Jane, it is important to note). Eugene Onegin, on the other hand, has already gone through a slighter kind of reform before he meets Tatyana. Unfortunately, he either doesn’t see it, and/or it’s not fully realised, being too obstructed by the lingering pride and old habits left in his life. By the end of the story, Onegin hasn’t entirely changed, but his story goes farther than that, and we know he has the potential to change.
It’s this redemption that turns Edward into a man worthy to be Jane Eyre’s “Mr Right”. Likewise, it’s the glimmering of this change that makes us hope Onegin will find peace someday.
That is one side of the conflict. The other side is the struggle that the heroine goes through–following her conscience and not her heart. In most other romantic classics, it’s the heroine vs. the anti-heroine, or the heroine vs. society, or the heroine vs. her Annoying Relations, etc…in each of these she is a victim. But battling one’s own human nature is a much more difficult thing. Jane and Tatyana both pass this ultimate test in their stories; they suffer for it, but they come out the blameless victor in the end.
I think this is the reason I like both of these stories so much. Jane Eyre and Eugene Onegin are true-love romance stories, but just as much, they are about spiritual growth and spiritual strength, and as much about individuals as they are about couples.
